Dolby Digital Codec Not Found Premiere Elements 10
The concepts of imaging and sound stage refer to the sound system's ability to make it sound like elements of the mix are physically located in space across. Dolby Atmos is an immersive audio format that can be delivered via multiple audio codecs including Dolby Digital Plus and Dolby TrueHD (but NOT Dolby Digital). Sirenian and not awake Otto bilge lagoons or buried by contagion. Foreknowable download powerdvd 10 ultra 3d 64 bit and disastrous Haskel emendating his conversed or silks ruefully. Harald country delegate his adobe premiere elements 9 cheap license father uff cooperates in decimal form. Premiere Elements 14, like prior versions. does not offer Dolby Digital 5.1 channel audio for its export to file or burn to products; does offer some limited opportunities to export a file with 5.1 channel with an audio codec other than Dolby Digital, but requires that a project preset with 5.1 channel in its description be used for the project.
Having exhausted attempts (even phoning Apple's tec support for hours failed to resolve this) to produce a good quality HD movie from iMovie 9 some months ago, I have read a number of reviews that spoke highly of Adobe Premiere Elements 9. I downloaded a trial version and have to say that, post editing, the finished article is far superior to that of iMovie. The HD video is exactly that.HD!
Also, the added feature of Dolby Digital sound. Come on Apple. Where are you!
This is why I bought an iMac in the first place!!! Most of the problem I encountered with iMovie was Apple's own codec (AIC) which I discovered reduces the quality of the native file (.MTS from my Sony SR12E) during the file upload. I do, however, prefer the features and interface of iMovie and wanted to know if Apple were going to improve the program any time soon? I know that I am certainly not alone after reading similar threads on this (excellent) forum. For a non-professional user, I can easily produce something of reasonable quality, but due to the failings of Apple's iMovie, I had delved deeper into the technical stuff (a little tricky given the non-professional status!) and the codec is the real issue here.
Adobe have produced an excellent editor but lacks the features and 'MAC' feel and interface. Its a shame you cant get a mix of the two! Anyone else had a moment of discovery?
15 Minutes to Fame Adobe entices new users of Premiere Elements 4.0 with this sales hook: 'Create fun home movies in as little as 15 minutes.' With a little practice and a very simple video program, this promise enters the realm of the possible. The snazzy new interface with fairly intuitive button arrangements will have the first-time video editor slapping in transitions and adding bold video filters to that wedding footage before cousin Jerry and his new bride make it to the honeymoon hotel. Now don't get us wrong.
That isn't to say that, after installation, the first DVD will be burning in a quarter of an hour. Each release of Elements embodies a higher level of functionality and features. The learning curve still looms, but it doesn't loom as large. The entire design (re-design) of the program leans toward helping the newbie. At an attractive price.
Through the Paces To test Elements 4,0 we installed it on a likely 'real-world' system. It was running a Celeron 3GHz CPU with 1.25GB of RAM. The operating system was Windows XP (Service Pack 2). The program installed in a very common fashion, with a reboot at the end.
As a longtime user of Premiere, I found it somewhat startling to see a dark gray screen meet me as the program came to life. It follows the lead of other home-use editors that have adopted a color scheme that allows the colors in the on-screen video monitor to 'pop' by contrast. There are pull-down menus at the top, as one would expect, but the buttons on the upper right do all the work. Color-coding marks the three main choices: Edit, Create and Share.
The budding director will, of course, spend the vast majority of his time in Edit, where the next choices are Media, Themes, Effects, Transitions and Titles. We must say, though, that simplicity comes at a price. Keeping the basic functions on ever-present, larger-than-life buttons means that the finer settings must be tucked another layer deeper than usual. As the user becomes more advanced and wants to start tweaking things regularly, he'll find the need for an added mouse click on each adjustment.
But it's a fair trade for the new welcoming interface. After we captured some footage (of a program about miniature trains - fun stuff!), the slicing and dicing commenced. To get one's feet wet, the Sceneline work area may be a bit friendlier than a traditional timeline. This feature allows the user to drop clips into equal-size boxes lined up chronologically in storyboard fashion. An emblem between the boxes provides a useful handle to drag and drop transitions. With the click of a mouse, the user toggles instantly between the Sceneline view and the timeline view. Playback on this system met our expectations.
As usual, the sophisticated transitions and most of the filters needed to be rendered, but the rendering time on most effects was pretty fast. The scene detection and automatic DVD menu creation features contribute hugely to making this program so quick and easy. The user chooses a menu style, and a Main Menu and Scene Index Menu spontaneously appear. The Scene Index creates a button for each scene (chapter point) in the program. Backgrounds and button names customize with a few clicks. Burning happens in standard DVD or Blu-ray Disc formats, if you should be lucky enough to have a Blu-ray Disc burning drive. For other Sharing options, there is an array of output file formats available (see Tech Specs).
Many lend themselves to Web and handheld usage. The Adobe promotional materials tout automated uploading to YouTube from a special menu within the program. This feature wasn't working consistently the first week during Element's launch.
Dolby Digital Codec Not Found Premiere Elements 10 Tutorial
A quick phone call to Adobe revealed that their servers that feed the YouTube interface to Elements software was experiencing some downtime. Major bummer. But, they were back up and running shortly after and the YouTube feature quickly became a great option for sharing your videos on YouTube without having to have a degree in compression settings. The only other significant omission is the support of AVCHD (Advanced Video Codec High Definition). For those who have the newer consumer HD cameras, this may cause disappointment. Adobe is working on providing support for AVCHD in a future update, but no word as of yet when that will be. Bells & Whistles In addition to the whistles and bells emanating from our miniature train program, a load of goodies awaits you in this video toolbox.
Some of the neatest are the third-party additions from NewBlue. They contributed dozens of cool transitions and filters (effects).
I especially liked the Shake transition that imbues an energetic, caffeinated feel between clips. Their old-movie filter allows you to adjust how 'old' you want your home movies to look - very effective. The new image stabilizer features shouldn't be ignored. Sometimes that handheld, reality-TV look goes a bit too far. This effect zooms in a bit and compensates for the jittery camera work.
Unfortunately, it couldn't correct for the 'smear' of motion blur when the shake was severe. Detect Beats analyzes the music in your sound track and places markers to the tempo. It's best with music with a clear rhythm. Premiere Elements then cuts the video to the beat, and you can sit and watch the drama build. The Motion Titles feature makes it easy to make your titles roll, creep or even spin and bounce. The new audio mixer gives you a virtual soundboard to adjust the levels on the fly - nice.
On the logistical side, the new Organizer does a nice job of handling your media files. You can add searchable keywords, better known as tags, and even 'ratings' to your clips, allowing you to find them by subject and quality. As expected, they can also be sorted by name, date and file type. At first, this may not seem like a big deal, but wait until you've got 500 files, and you can't remember the name of that one. Integration If there is one thing Adobe is good at, it's software integration.
You can purchase Premiere Elements 4.0 standalone or bundled with Elements 6. To test their interoperability, we fired them both up and got creative. First, we generated a simple still image to insert into the program. We saved it to disk, imported it into Premiere Elements and placed it in the timeline. Then we went back to Elements and altered the still.
When we jumped back to the video timeline, the monitor immediately refreshed with the changes. The ease of adjusting images to fit the program makes this very powerful. Then we did the same thing with an animated slideshow created in Elements. The update was automatic (and the funny clipart pig was just the touch we were looking for). All in all, Elements 4.0 packs a lot of features into a $99 program.
Fifteen years ago, if you could even purchase such a program, it would have cost as much as a luxury car. We just don't know how good we've got it these days.