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In this loose reinvention of the classic Bram Stoker novel, the Count (Gerard Butler) is transplanted to the present day, after a brief prologue where Van Helsing (Christopher Plummer) captures Dracula and conceals him in Carfax Abbey, where he remains for many years. In the future, Carfax Abbey is contained within an office building where Van Helsing's been using Dracula's blood to stay alive in order to guard the evil secret. After a band of thieves, led by the malevolent Marcus (Omar Epps), attempts to seize Dracula's remains, the Count escapes to New Orleans, where Mary Van Helsing (Justine Waddell) currently resides. Mary is eventually persuaded to fight Dracula with the aid of a reluctant Simon(Jonny Lee Miller), one of Van Helsing's employees, all while trying to escape the newly-made vampires of Marcus' gang and a zealous TV reporter (Jeri Ryan). The film also features Lochlyn Munro, Jennifer Esposito, Vitamin C, and Danny Masterson in supporting roles.

Dracula: You made the world in your image. Now I make it in mine. '19th Century Chills Terrify The 21st Century' Dracula 2000 is bad. It's the worst Dracula related film I have seen, yet it has some entertainment value in its awfulness.

You know those movies that are bad, but are so bad, they are good. Well, this isn't one of those, but it isn't so bad that it is unwatchable. Actually there are some decent ideas in the film. I really liked the connection between Judas and Dracula.

Had it been used in a better way, it could have been much better. But the whole idea was executed in a hurried and sloppy way, that made it come of as idiotic, when it should have been inventive. It is easy to see that Dracula 2000 wants to reinvent the Dracula-vampire genre.

It wants to be the Scream of the vampire genre. It wants to use humor and predictability as an advantage, but it never even gets close to doing that as well as what Scream did for the slasher genre. There are some points of interest with the movie though. Christopher Plummer plays Van Helsing, which was a great casting decision. It's too bad that he was mostly wasted though. Gerard Butler plays Dracula and he isn't terrible, but like normal, he is appearing in a movie that is beneath him. There's some well done scenes, some cool images, and I liked the use of Christianity, but on a whole it never gets to where it needs to be. The acting for the most part is pretty lifeless.

There are some beautiful women that are there just because they are beautiful. Where this movie fails the most at is with the fact that it isn't a horror film.

Sure that's what it's classified as, but never in the movie does it seem like it's even trying to be scary. It may, in fact be trying, but it never appears that way to the viewer. It seems like an hour and a half of failed laughs and suspense. I'm fine with horror movies that try to create laughs, but there has to be a sense of something in the way of horror, and Dracula 2000 just doesn't have that. In the end, it is just a failed attempt at recreating a Dracula story for a new generation.

A hip, stylish, thrilling and exhilarating re-imaging of the classic tale told in the twenty first century. A smart, funny and action-packed horror flick with brains as well as teeth. It's one of the best vampire films involving Dracula since Frances Ford Coppala's film.

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It's one frequently cool thrill-ride that delivers the goods. A great cast. Christopher Plummer is brilliant, Johnny Lee Miller is terrific. Gerard butler is excellent, he brings a great presence and is thrilling in the role of the iconic character.

So.the title is a bit dodgy. 'Dracula 2000'. Nevertheless, I was pleasantly surprised by the quality of the film.

To begin with, an interesting cast. Christopher Plummer has, previously, suffered from what I call 'Michael Caine' syndrome; making any film that will write him a cheque, Johnny Lee Miller was amusing in 'Trainspotting' and, let's not kid each other, there is no mystery as to why Jennifer Esposito and Jeri Ryan were cast. Round it out with some second and third tier young 'Actors du jour' and you probably haven't spent too much money. Now.the most irritating aspect of the film is the almost surreal amount of flagrant Virgin Records placement.

Seriously.Mary works in one of the stores which means we get prominent t-shirt coverage.not to mention the gawdy neon sign, the truck in the garage etc.however, Dracula needs virgins, right? By far the most interesting part of this film was the story behind the creation of Dracula. Taking the myth back to the time of the crucifixion, with Judas Iscariot suffering some fairly serious guilt issues leading to his suicide and eventual 're-birth'.good angle: it helped to explain the vampires aversion to all things holy and dislike of silver (as in 30 pieces of.).

Still don't get the mirror-phobia but hey. Someone on the creative team of this film has a sweet little visual gag in store. Check out the scene in the Laffayette Cemetery.there is a crypt bearing the name 'Spencer Hepburn'.

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The ending is a little rushed and it seems that Miller might have left the set early that day, since he apparently vanishes. It also leaves blatant amounts of room for a sequel, but I wouldn't hold my breath. That I even considered seeing this film was primarily due to Wes Craven's participation. However, I found it to be an imaginative and fairly tasteful modernisation of one of the all-time cinematic horror legends.